a web resource for the study of Gene Wolfe

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Five Steps towards Briah: Gene Wolfe’s The Book of the Long Sun

By Nick Gevers

The title is a multiplex pun, so typical of Gene Wolfe. The Book of the Long Sun (1993-6) can only closely follow, or mirror The Book of the New Sun (1980-3). And just as Severian, the narrator of the first Book, is the New Son of God, a man becoming Christlike if not Christ himself returned, so Patera Silk, Wolfe’s new protagonist, is the Long Son, the product of a virgin birth, long (tall) in physical and moral stature. And the renovation of the Sun is again implied; and the story, in four volumes, is very long, and is not over yet. Thus Wolfe in six words summarises his second tetralogy; and the critic can add that The Book of the Long Sun is, very likely, the most significant work of SF to be published in the 1990s – the most precise, the most sustained, and the most profound. It is a tale of physical, religious, and philosophical exodus; and, as such, it interrogates, and dismisses, the material world. The result is devious, eccentric, and charismatic, an old story rendered utterly, weirdly new.

Some Greek Themes in Gene Wolfe’s Latro novels

by Jeremy Crampton

The moon is down
Taurus was in the sky before: it’s gone.
Time is passing.

It is midnight and I lie here alone.
Sappho.

“Who writes? For whom is the writing being done?” So Edward Said began his essay “Opponents, audiences, constituencies and community”, 1 by asking questions he said were vital for a “politics of interpretation.” Said, talking about modern literary criticism, could equally have been referring to genre fiction. His questions are particularly relevant for an examination of Wolfe’s writing.

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